Komm Hoffnung

Komm Hoffnung

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From Beethoven's only opera, Fidelio, we hear the most famous aria for Leonore, who dressed as a man, infiltrates a prison to free her husband Florestan. At this point of the opera, she has overheard Pizarro, who has unjustly imprisoned Florestan, decide to kill him before the minister of state arrives to inspect the prison. Leonore apostrophises Hope and affirms her unwavering strength of purpose, fortified by Love. Note how Lehmann sings the words with such passionate identification with their meaning, that we hardly need to know the original language or read a translation. The word "Liebe" (love) is especially warmly sung.

Komm Hoffnung, O hope
lass den letzten Stern let the last star
der Müden nicht erbleichen; of the weary not grow pale
erhell mein Ziel light up my goal
sei's noch so fern, though it is still so distant
die Liebe wird's erreichen. love will reach it (attain it)
Ich folg' dem innern Triebe, I follow an inner impulse
ich wanke nicht I do not waver
mich stärkt die Pflicht duty strengthens me
der treuen Gattenliebe. of true married love
O du für den ich alles trug O you for whom I bore everything
könnt' ich zur Stelle dringen, could I but force my way into the place
wo Bosheit dich in Fesseln schlug, where evil cast you in chains
und süssen Trost dir bringen. and bring you sweet comfort
Ich folg' dem innern Triebe, usw. I follow an inner impulse, etc.

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