Komm HoffnungIf you have trouble hearing this, click here. From Beethoven's only opera, Fidelio, we hear the most famous aria for Leonore, who dressed as a man, infiltrates a prison to free her husband Florestan. At this point of the opera, she has overheard Pizarro, who has unjustly imprisoned Florestan, decide to kill him before the minister of state arrives to inspect the prison. Leonore apostrophises Hope and affirms her unwavering strength of purpose, fortified by Love. Note how Lehmann sings the words with such passionate identification with their meaning, that we hardly need to know the original language or read a translation. The word "Liebe" (love) is especially warmly sung.
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Home | About Us | Contact Us | Support the Foundation | Site Map | Search | Song! Site This site is supported by the Lotte Lehmann Foundation, a non-profit entity. You can support the Foundation and its goals. Contributions are tax deductible. Find out how. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||